Among my family and friends, I am so blessed to get to help welcome into the world many little ones! I love giving a baby blanket to each little.


I remember starting this quilt back in winter, when snow piled up outside and storms raged. The outside temps are quite different now, but I was lucky to have some free time to finish up the quilt this summer.


I love using printed fabrics for baby quilts, with all the cute and modern prints available now! I made simple large rectangles for the front, and used some bicycle fabric for the back, as Zylvanio’s parents love to ride bikes.


For quilting, I did a cursive loopy line. I picked a bright green-blue fabric for binding. I love the feeling of pulling the freshly washed quilt out of the dryer! It’s so crinkly and soft. Perfect for baby!


I promptly shipped off the quilt, and was so pleased when mom shared of video of baby Zyl hanging out on the quilt. Love! I can’t wait to meet Zylvanio myself. In the meantime, there are a few more little ones who will be arriving in the next year. Time to play with more fabric!


In Memory of Margaret

On Sunday, I received news that a dear friend had passed away. She had been fighting an illness, but it was still a surprise to hear. Since then, I’ve been thinking of her often, sifting through my memories and trying to understand. I’d like to honor her here, as she was such an enormous influence on my creative path, in addition to being a true friend.


Self Portrait, Quilt by Margaret Phelps

Margaret was one of the first people I met when I moved to the Eastern Sierra in 2008. I recall very vividly the first time I met her. I started volunteering with an outdoor education program, and my first day was helping with a second grade field trip in Fish Slough. Margaret was leading the talk on petroglyphs and archaeology. She had a confident way with the kids, alternately inspiring them and keeping them in line. She had boundless energy, leading group after group through her talk. During a break, we discovered we both liked to quilt, and Margaret invited me to join the local quilt guild. I think some part of me knew, in that moment, we were going to be friends.


My Mountains, Quilt by Margaret Phelps

Margaret had an unending curiosity and boundless enthusiasm. She had more energy than ten people combined, and used every minute of every day to make things happen. She was a Master Gardener, instrumental in starting a community garden, and worked with a local nonprofit to grow vegetables for a local soup kitchen. Margaret and a friend started a Children’s Day of the Arts event, and continued hosting it for many years, exposing youth to fun and crafty projects. She walked every day, rescued and loved countless dogs, cats, horses, and mules. Margaret was a volunteer steward of petroglyphs, where she would hike and observe a set site of petroglyphs, and report on any illegal activity observed. Those are just the pieces I can think of right now, I’m sure there were countless more!


And then there was Margaret’s crafty side, which is where we had so much fun together. Margaret wanted to try everything. She was curious, adventuresome, and brave. If she saw a technique in a magazine, she’d try it out. If she saw a class that looked interesting, she would go. And she would often bring back those skills, and share them with us. Which in a way is what started our Out of the Box group. In 2010, a small group of us interested in art quilting started to meet regularly, to share techniques and encourage each other. Over time, we started to host challenges and work on group quilts together. Each person brings so much to our small group, and Margaret contributed her love of learning and enthusiasm.

PicMonkey Collage

For example, after she attended a shibori dyeing class, Margaret shared what she learned at one of our Out of the Box meetings, and we all spent the day learning and making our own fabrics. Margaret gave. Margaret gave of herself, every day, in every way she knew how.


Margaret loved all animals. Here, her panel in our Mountain Quilt, she added two mules. When we lived in Bishop, my husband would walk our dog each morning before work. His route would pass by the community garden, where he would often see Margaret working in her plot. She loved our dog, and he loved her. She could scratch his ears in such a way that had him melting. Each time he would see her he would run over to say hello. She had this affect on all animals.


And Margaret and I had our own adventures together too. We attended Road to California together twice, taking a long two day workshop, the first time to learn to paint on fabric, and the second on color landscapes. Sometimes we would meet up to try out a new technique we saw in a magazine, like this time with dyeing fabric using silk ties. And we would also teach workshops together, like this time sharing with our guild on how to ice dye.


While much of the time quilting is spent at home alone, Margaret was a part of creating a community of women working together and encouraging each other’s passions. Margaret pushed us out of the box to try new things. She did it with energy. She did it with heart.


Margaret you will be truly missed.


I hope you always have lots of fabric piled around you to make stunning quilts with.

Good bye friend.

All quilts in this post by Margaret Phelps.

As the note shared in the July package of scrumptious fabrics, summer in California is hot and dry.


To escape the heat, we head to the mountains and lakes to cool off. This past weekend we tried stand up paddle boarding with friends!


It was such a pleasure to be on the water, hearing the sounds of the paddle dipping in the water and the birds calling.


Maybe that is what is so magical about color and fabric, we can evoke the beauty of the natural world, reminding us of our favorite moments.


Moments like this, eating and sharing the largest piece of cherry pie you’ve ever seen, in a lovely garden as the sun sets overlooking a beautiful lake with good friends.


I think I just might have to use these fabrics to make a cherry pie quilt ūüôā

This quilt was started in March, where the assignment for the month focused on lines.


I chose to select a photo as my inspiration of a view up South Fork of Big Pine Creek, a hike up the watershed in the mountains above our home.

PicMonkey Collage

I managed to (almost) meet my first two deadlines, the sketch on the 10th and the (almost) blocked out quilt on the 20th.


The delay was partly life, as March got very busy. But also it was the size of the quilt. I went big! Elizabeth encouraged me to go larger, and so I did. (I don’t have the measurements, I forgot to take the final size before hanging it in the show! But I would guess around two feet high by four feet longish). This is definitely the largest art quilt I’ve made so far.

PicMonkey Collage2

The quilt sat on my design wall, waiting, for almost another month and a half, until, motivation struck again. As I’ve shared before, deadlines are wonderful motivators, and I had a deadline looming, but not a lot of free time. So I again fit in quilting whenever I could, in little 20 minute chunks, every day.


The second motivator for me was Instagram. Working in such small amounts of time, it was hard for me to feel like I was making progress. But each evening, I took a photo of whatever I had accomplished, and posted it to my Sierra Oak Threads account. Slowly, piece by piece, the quilt came together.


This quilt was unique (for me) in my construction method. Usually, I use a raw edge applique technique with my art quilts. Again, encouraged by my teacher Elizabeth, I pieced this quilt. For any of you who aren’t familiar with quilting, piecing straight lines is simple, piecing curves gets … interesting. I had no idea how to do it, if I could, or what it would look like. But I dove in head first. And it wasn’t too bad. I used a lot of pins. And a lot of steam pressing. And sometimes, I just let the crinkles and wrinkles be.

PicMonkey Collage3

The second unique construction piece about this quilt was the lines. On top of the challenge to piece the entire quilt, I also had the challenge of piecing in skinny lines between mountains. Again, lots of pinning. And lots of acceptance of crinkles and wrinkles.


Additional encouragement from Elizabeth was that all the lines in the quilt didn’t need to be the same color. So I had a dye day to make varying shades of black and gray fabric to use for the lines. I started with the darker color fabric in the foreground, working toward the lighter colored fabric for the background mountains.


One of my favorite moments in making this quilt was appliqueing the skyline. Okay, it is the only bit in the quilt that wasn’t pieced. The skyline had so many sharp angles, and was quite thick with layers of fabric, so I decided to not piece and applique instead. I really wanted this line to be clean and crisp. I like the texture that the fabric thickness made against the sky.


There is a texture to a completely pieced quilt that is so right, it is hard to put in words. No raw edges. One smooth surface. It was such a thrill to run my hand over the top, and feel the bumps and ridges and lines.


And then suddenly it was pieced. I hung the top on the design wall, and took a minute to just enjoy. And then promptly continued on, the deadline for the art show looming! Quilting and binding came together quickly, and I finished just in time to take the quilt on a hike.


It was a beautiful spring day with amazing wildflowers blooming. And it was so much fun to see the view that inspired the quilt after spending so many hours thinking about the view. I intimately knew the view, every mountain curve and point.


The next morning, I hung the quilt in the Mountain Perspectives art show at the Mountain Rambler Brewery. It will be there until October if you would like to see it in person!

I took so many pictures as part of the process, I thought it would be fun for you to see the quilt come together from sketch to finish. I used the pictures to get a sense of color selection, even switching out colors at the very last minute! And am so glad I did. There was one piece that had really been bothering me, and making the switch at the very end felt good. I wonder if you can spot the change?

It is a surreal feeling, to put so much effort and time into a project, and then be done. When I see the finished quilt, it is familiar, but strange too. In some ways, I know every millimeter of the quilt, inside and out. But in other ways, the finished quilt is a stranger that I am still getting to know, finished and on the wall. Sometimes when we go to the brewery, it’s like seeing an old friend after months apart.

I am excited to make another large sized quilt. There are unique challenges and opportunities to working bigger that I would enjoy exploring more. I would also like to try piecing another quilt. It does take longer than applique, but the result is different, and for some quilts, that might be the effect needed to achieve the vision. (I kept track of my time piecing, while in short 20-40 minutes bursts, took 16 hours to piece!! That doesn’t count the design or quilting process on either end, which probably added 4-6 hours).


Time to go for a hike and be inspired anew!




Playing with fabric in between trips to the beach sounds like a lovely prospect!


I came home from an early June trip to the beach to this lovely month’s selection of the Pressed Seam Club.



The muted colors with the occasional burst of bright exactly mirror the scene we enjoyed along the Pacific Coast.


June also brought warmer weather, once home again we barely survived a heat wave in late June. The memory of cool fog along the beach became a dream I had only imagined …


I suppose playing with the beach fabrics could bring back the cool beach memories while suffering in triple digit heat waves!


Maybe I should make these fabrics into a beach scene.


Last weekend was a thrilling and delightful experience. I had the honor and pleasure of being invited to participate in an art show with four other artists at the Mountain Rambler Brewery.

IMG_3731Sunday morning we gathered at the brewery before it opened to hang the artwork. There were quilts, pastels, oils, and watercolor!


After laying out all the artwork on the tables, Ann suggested where various pieces could go and we started to hang. There was a lot of putting up, stepping back, thinking about it, moving around, gazing, until finally, each one was just right.


I have two pieces in the show, my Bristlecone Sunset and South Fork of Big Pine Creek mountains (which I’ll be doing its own blog post on soon!). My pieces are to the left of the door as you first come in. We grouped a few more bristlecone pine trees near mine, a quilt by Suzanne Logan and an oil painting by Ann Piersall.

PicMonkey Collage

Ann’s stunning oil paintings take up most of one wall, showing the beauty of our mountain landscape.


To the right of her paintings, are the other quilts by Suzanne Logan, including this stunning owl. One of my favorites of her work.


On the opposite side of the room, are watercolors by Mary Newton, and pastel by Scott Weaver.

PicMonkey Collage2

We had a casual meet the artists reception Sunday evening. It was a pleasure to see friends and share the artwork with all. After so many hours of working tirelessly to meet the deadline, it was a heady feeling to have it all done!


The show will be up through October, if you are interested to see the artwork in person. Thank you Ann for inviting us all to participate in your show, and Joe for sharing the brewery space with us!


I finished the mountain quilt just in time to take it for a hike and photograph it in the landscape where it was inspired before hanging it in the show. My friend Sage commented on my picture of the quilt saying, “Reminds me of a Doug Robinson quote, ‘To be a mountaineer is to first love the mountains, then to climb them.’ And then to sew them.”

Time passes, months roll by, and the Master Class continues, with assignments due on a regular basis. Our sketch is due the 10th of the month, the blocked out quilt is due the 20th, and the final is due the end of the month. I work hard to meet as many of the deadlines as I can, sometimes I do better than others. The deadlines are a great motivator for me to set aside time and make the space to create.

color scheme

April’s assignment was focused on color – my favorite! With as much as I love color and think I know a lot about it, I still learned a lot in this month’s lesson, and it rocked my world. Don’t be literal with color.¬†The assignment was to pick out a color scheme, and make a sketch, and then put the two together. I knew I wanted to try to do a bristlecone pine tree quilt. What kind of color scheme could I do that wasn’t green and brown? I looked online for inspiration, and saw some great tree paintings, using brilliant oranges and reds for the trees. From one of the paintings, I came up with the analogous color scheme above, mostly orange, with green as the compliment, and the dark red as the accent color.

APR SLJ sketch 3 value sketch

For my sketch, I drew inspiration from a photo I had taken of a bristlecone on one of our many visits to see the ancient trees. In the first round of critique, my teacher commented on not needing the sliver of tree to the left (again, this theme with making art – you don’t need to be literal! Do what makes a good design. But I digress).¬†¬†She encouraged me to add shadows to the trees, and to mimic the lines in the tree in the background landscape. And lastly, she commented on the leaf area looking clumpy. I agree with that! Making leaves on trees is always a challenge for me. This gave me something to ponder … how to make the leaves less clumpy?!


For the next step, I modified my sketch, incorporating the suggested changes. I enlarged my 5″x8″ sketch to 10″x16″, and was ready to select my colors!


I pulled out all my warms reds to oranges and laid them out. I took a photo and converted to grayscale to get a sense of value. I continued to select and sort, and take a photo and look and sort and rearrange until I had a smaller selection. For each fabric I matched it to an area on my value sketch.


Okay Рthis part took forever Рand I would be curious to hear how you do this part if you have a better or different way! I took tracing paper, and traced each value/color piece on my sketch, basically making puzzle pieces. I cut out each tracing paper puzzle piece, then using that as a template, cut out each fabric puzzle piece, and then laid out on the background fabric in the position it was going to go.


Here is my blocked out piece for the second assignment due date of the month. I was so pleased with how it came out! After lots and lots of cutting and arranging, seeing it all together, the color scheme and design seemed to just make the quilt sing.

I always eagerly await the teacher’s comments, and was totally blown away when this is what she posted:

I love it!¬† the colors are wonderful…and you conveyed the slight anthropomorphic feel very well.¬†everything is nicely balanced with the shadows and the “tail” (!).

I really like the mystery of it….and also the richness of those gradated colors.¬† It wouldn’t have half the impact if you’d used a mix of many different colors….the yellows to oranges in particular are so rich especially placed against those cool greens – nicely done!¬†¬† You totally got the point of this exercise.

Wow! No further work needed, just carry on, except, the tree seemed to be listed to the right. I adjusted it a bit, rotating it to the left, and started to glue. Usually with raw edge applique, I use fusible webbing, but one of the women in our quilt group had said she likes to use basting glue, as it isn’t as stiff as the fusible webbing and gives a more natural look to the quilt. I was encouraged to try and was excited to try it on this quilt.


This part also took forever, carefully gluing down each little piece, lifting and gluing and placing back in the right place and adjusting and checking and making sure I got glue in all the areas it needed to go. The quilting came together quickly, and the little but mighty bristlecone pine tree quilt was done.


I am so pleased with how it turned out! And can see how it would be fun to work in a series when the correct subject is chosen. I could do many many more bristlecone pine tree quilts!